Colak
Colak is an ultra-heavy typeface in the Naskh style. The typeface is available in a single weight and is ideal for titles in formal and cultural contexts.
According to scientific definition, a Colak, known as "Blizzard" in English, forms when a high-pressure system meets a low-pressure system.It is called the pressure difference between two levels.
The initial idea of the design of the Colak typeface (combating the heavy positive space with the least negative space on the same level) was inspired by Amir Mesbahis' personal experience of a severe blizzard in February 2022.
The structure and base of the Colak typeface were adapted from another designed by Amir Mesbahi called the Damavand typeface. A double effort has been made to fulfill part of society's needs by developing an official heavy typeface style that differs from the Damavand version. Characters in Colak are sharper and have a more fluid and softer appearance than characters in Damavand. Throughout this experience, the designer tried to keep Damavand's spirit and avoid exaggeration. In addition, the negative space between the characters is limited, which allows users to design different graphics and typography projects with this typeface.
Colak typeface pays particular attention to Arabic and Kurdish. Latin letters have also been designed for the English language to better align and display Latin words.
Font Licensing
For an additional user to use the font.To share the font with your designer or project partner. (details)
For one website or app and to share the font with 2 additional project partners. (details)
For small businesses to share the font with 5 additional employees and use it on one website.(details)
For unlimited use by companies in all their activities. A website builder, website templates and services that allow users to type with the font. (details)
Colak
In the Colak font package:
Main Fonts: 1 weights Available in TTF format.
Web Fonts: woff and woff2 formats.
My journey in type design and typography goes beyond a mere fascination with the artistic form. It is driven by a profound exploration of how these shapes interact with essential human activities such as reading and information processing. I believe that the right typography can enhance the communication experience, making it more accessible, engaging, and meaningful. Throughout my career, I have honed my skills in crafting beautiful and functional typefaces that capture the essence of the Arabic script. I am proficient in utilizing cutting-edge design software and techniques to create visually striking and technically precise type designs. Collaboration is at the heart of my creative process. I enjoy working closely with clients, fellow designers, and experts in the field to understand their unique requirements and deliver tailored solutions that exceed expectations. Whether it’s designing custom typefaces for branding projects or creating legible and harmonious fonts for publications, I am committed to delivering exceptional results that align with the vision and purpose of each project. As a lifelong learner, I stay updated with the latest trends, research, and advancements in the field of typography. I actively participate in workshops, conferences, and online communities to expand my knowledge and skills, ensuring that my work reflects the highest standards of quality and innovation. Academic Education: -Master of visual art in graphic design, reading type & typography. PXL-Mad university of college arts & media, Hasselt, Belgium, 2021-2023. -Master of science in visual communication. Azad university science, research and technology branch, Tehran, Iran, 2019. -Bachelor of visual communication. Enghelab technical college, Tehran, Iran, 2014. -Associate degree in graphic design. Enghelab technical college, Tehran, Iran, 2010. -Diploma in graphic design. Hamedan technical highschool of fine arts, Iran, 2006.
Comments
Frequently Asked Questions