Dibaj
The Dibaj typeface is a storyteller. It narrates stories, events, and life experiences with an intimate tone. This typeface was designed from the beginning for use in long narrative texts. Having a narrative tone, paired with readability, was very important.
Among the factors considered to maintain readability in the text size (pt12~7), relatively large counters, regular and confined letterforms, adherence to spacing principles in proportion to the rhythm and letterform shape to create a balanced text grey and exaggeration in the vertical axis of the letters were emphasized.
In line with these objectives, the design of the Dibaj font was inspired by the Mohaqeq script. The effort was to make Dibaj modern and contemporary while remaining true to its roots.
The curved form of the letters (higher aspect ratio) makes it easier for the eyes to move along the lines, turning it into a fluid and smooth font.
Dibaj typeface comes in 9 weights. Its base weights are suitable for use in long texts in books, magazines, etc., while the heavier weights are suitable for graphic works and advertising. In the heavier weights, the character's roundness has been reduced, and ascenders and descenders have been shortened for better cohesion in writing titles and to attract the viewer's attention. Dibaj is a complete font to meet all writing needs in a project.
The base weights of this typeface were designed under the supervision and guidance of the esteemed professors Mr. Sadaqat Jabari and Mr. Damon Khanjanzadeh. Many thanks to both dear professors.
Dibaj font (9 weights + 3 thickness styles and variable font).
Font Licensing
For an additional user to use the font.To share the font with your designer or project partner. (details)
For one website or app and to share the font with 2 additional project partners. (details)
For small businesses to share the font with 5 additional employees and use it on one website.(details)
For unlimited use by companies in all their activities. A website builder, website templates and services that allow users to type with the font. (details)
Dibaj
The pro-Dibaj font package includes 9 weights (Extra Light, Light, Regular, Medium, Semi-Bold, Bold, Extra Bold, Black, Extra Black) and three thickness styles (Low contrast, Medium contrast, High contrast), as well as a variable font version.
In the variable font version of this package, users can not only change weights but also alter their writing style. The professional Dibaj package provides users with various characters and tones of letters, allowing them to utilize the font across a broader spectrum of topics.
Dibaj typeface also supports Arabic, Kurdish, Luri, Mazandarani, Urdu, and Afghan glyphs.
In the Dibaj (Pro) font package :
Main Fonts: 9 weights in 3 styles available in TTF and OTF formats.
Web Fonts: WOFF and WOFF2 formats.
Variable Font: A variable font with 2 axes(weight and contrast).
Master of visual communication, member of the Iranian Graphic Designers Association, teacher and researcher of Persian type design Received an honorary diploma of Sarve Noghreh in 1992 Received the first title of Persian type design, Behance Received the honorable title at the 12th Granshan International Biennale Speaker of ATYPI, Typewknd, Design principle & practices conferences, UX Shiraz, Side section of Sarve Noghreh, Author of scientific and research articles: -Comparative study of Tahoma font and structural principles of Persian font, Journal of Honar-haye-ziba-Visual Arts. - Investigating the factors affecting the readability and optimization of types in the field of printing and publishing based on the habit and taste of the audience, Honar-haye-ziba -Visual Arts Journal.
Typographer, Logotype & Typeface Design Instructor • Design Irancell, Tehran Book Garden, Leila, Ravi, Abar & Paykan • Design MyBaby, Alibaba, Ayandeh Bank, Fanoos (Hamkaran System), Inverse School & Bonyade Koodak typefaces in collaboration with Mahdi Ershadi • Design MIKA, Vazeh quranic typefaces, Dabestan & Ray typefaces in collaboration with Omid Emamian • Design Doran typeface in collaboration with Fereshteh Iranshahi • Design Yekan Bakh typeface (Redesigning Yekan Typeface) in collaboration with Mahan Jafarzadeh • Design Novin Web typeface (Redesigning Novin Typeface designed by Hirbod Lotfian) • Design Nian typeface in collaboration with Afsaneh Salek Notable Achievements • 3rd Place and Honorable Diploma - GRANSHAN Type Design Competition. • Grand Prize - Silk Road Biennial for Typeface Design. • TDC Typographic Excellence (2018) - Vazeh UI Quranic Typeface. • TDC Typographic Excellence (2018) - Ray Typeface. • TDC Typographic Excellence (2019) - Vazeh Classic Quranic Typeface.
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