فونت برنا | Borna Font
Borna

Borna

font_weights
7 weights
version
Version 2.0
update_date
Last update April 15, 2023

Borna is a display typeface designed to be used in body texts. The typeface is inspired by the Maghrebi Kufic script, and since it has its own unique personality it is easily distinguished from other body text typefaces. Borna is coming from children's and teenager’s worlds and it’s going to find its way to stories and short texts. It is nice and friendly, but a little active and playful.

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Preview
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Borna

 

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The ups and downs in teeth, the turns in bowls, the twists in forms, and the big counters, give the typeface a live and active personality.

Wide grooves, big bowls compared to the widths, and flowing forms are some of other Borna’s features.

 

Swash forms in some letters and functional alternatives give designers various possible compositions.

 

The width’s contrasts are designed reversed so they match the Latin typeface to bring more harmony in bilingual body texts.

The Latin typeface Arima Madurai from Google Fonts, was chosen for the Latin version of Borna, and its other weights were redesigned to go with Borna.

 

The ability to change the color in diacritics on the letters helps to make phrases and sentences look more beautiful.

 

Borna Typeface with seven weights of Thin, light, Regular, Medium, Bold, Extra Bold, Black, and Extra Black also covers Arabic, Kurdish, and Urdu languages.

 

 

In the Borna(Pro) package, you will receive the following:

  1. Main font files: In "ttf" format+"Woff/Woff2" , available in 8 weights.
  2. Variable fonts: In "ttf" format + "Woff/Woff2", available in 8 weights.
  3. Guide: Instructions on using font features.
Release Date:
April 15, 2023
Supported languages:
Persian , English , Urdu , Arabic , Kurdish
Weight | style :
7 weights
Designed By
Mahdi Ershadi
Type Designer

I am a member of Iranian Graphic Designers Society (IGDS) and I have bachelor of art in Graphic Design and I am engaged in type Design, Font Development and Logotype design. Working with letters always was, and still is such a joy for me. I think letters are like musical notes. We can have as many typefaces as we can make melodies.

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